Essays on the Performing Arts
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The Shock Of the Old Repertory
"Firebird" with Jonathan Stafford and Teresa Reichlen. Photograph: Julieta Cervantes
A New Work That’s Steeped in the Classic, but Still Individual
New York City Ballet Sean Suozzi in “In Creases,” by Justin Peck, which had its premiere at the Saratoga Performing Arts Center on Saturday; at the pianos were Elaine Chelton and Alan Moverman. Photograph: Paul Kolnik
A Company Caught in a Crucible of Challenges Rises to the Occasion
Alexei Ratmansky’s “Russian Seasons”, danced by New York City Ballet. Photograph: Julieta Cervantes.
Luminaries and Hopefuls Join to Ensure Choreography’s Future
Justin Peck used members of the School of American Ballet for his “Tales of a Chinese Zodiac,” set to music by Sufjan Stevens, on Saturday at the New York Choreographic Institute’s presentation. Photograph: Julieta Cervantes
Even Together, Alone: An Ethos of Soloism and Independence
Merce Cunningham Dance Company: Rashaun Mitchell danced (with art by Imi Knoebel in the background) at Dia: Beacon, in the Cunningham company's final Beacon Events. Photograph: Andrea Mohin.
In the Cunningham Dimension, Multiplicities in Time and Space
Brandon Collwes, left, of the Merce Cunningham Dance Company, performed on one of five stages arranged around a large space at Dia: Beacon. (A second can be seen at right.) Stephanie Berger
So Many ‘Nutcrackers,’ So Little Time
New York City Ballet at the start of the Waltz of the Flowers. Photograph: Paul Kolnik.
Four New Works, With Three From a Different Species
Mark Morris’s “Joyride”, danced by the San Francisco Ballet. Photograph: Liz Hafalia.
Radiant Line of Russian Style Energized in a Triplet of Balanchines
Kirov Ballet with Ekaterina Kondaurova and the company in Balanchine's "Rubies," set to music by Stravinsky, at City Center.. Photograph: Andrea Mohin.
Still More Faces of the Kirov in Fokine’s Dramatic Poetry and Lander’s ‘Études’
Daria Vasnetsova, front, and Danila Korsuntsev of the Kirov Ballet in “Chopiniana,” part of the company’s Fokine program.. Photograph: Hiroyuki Ito.
Kirov: Traditional Yet Reworkable
Alina Somova (Nikiya) and Leonid Sarafanov (Solor). Photograph: Andrea Mohin.
At the Kirov, Can Too Many Cooks Spoil the Ballet?
Members of the Kirov Ballet perform an excerpt from "La Bayadère" at City Center. Photograph: Andrea Mohin.
Chopin in the Moonlight, Drenched in History Yet Fresh in the West
Anton Korsakov, Ekaterina Osmolkina and members of the Kirov’s corps de ballet in the Fokine ballet “Chopiniana”. Photograph: Andrea Mohin.
Ballet’s Classical History, the Kirov Edition
Diana Vishneva and Andrian Fadeev in the grand pas from Marius Petipa’s Paquita. Photograph: Andrea Mohn.
London Troupe and New York Visitors: Ripples in and Out of Sync
Sarah Lamb and Carlos Acosta of the Royal Ballet in Jerome Robbins’s “Afternoon of a Faun”. Photograph: Peter Mcdiarmid, Getty Images.