Essays on the Performing Arts
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A Program in Four Parts, With One a Farewell
Giovanni Villalobos and Sterling Hyltin in Christopher Wheeldon’s Rococo Variations. Photograph: Paul Kolnik.
A Slow, Winding Descent Through a Hallucinatory World Befogged by Opium
The Kirov corps de ballet of Shades in La Bayadère at the Kennedy Center, Washington. Photograph: Linda Spillers.
Bound for New Life, Set to Music of the Old World
Maria Kowroski and Tyler Angle in Mauro Bigonzetti’s Oltremare. Photograph: Paul Kolnik.
Then, With a Touch of Now, and a Fully Charged Prodigal Son
Damian Woetzel in the title role of George Balanchine’s ballet The Prodigal Son. Photograph: Paul Kolnik.
Four Distinct Dream Worlds, Sharing the Same Language of Classical Ballet
Darci Kistler (the Sleepwaker) and Nikolaj Hübbe (th Poet) in George Balanchine’s La Sonnambula. Photograph: Paul Kolnik.
City Ballet’s Greatest-Hit Makers Get Help From Some Old Masters
Damian Woetzel and Tiler Peck in Christopher Wheeldon’s Carousel (A Dance). Photograph: Paul Kolnik.
Lush Movement to Break Winter’s Spell
New York City Ballet in George Balanchine’s Emeralds. Photograph: Paul Kolnik.
Visions of Sugar Plums
The closing image of the New York City Ballet production of George Balanchine’s production of The Nutcracker on its 2000th performance. Photograph: Paul Kolnik.
‘Emeralds,’ ‘Rubies’ and ‘Diamonds’ Reveal Facets of a Company’s Style
Alina Cojocaru and Rupert Pennefather in the Royal Ballet’s producton of George Balanchine’s Diamonds. Photograph: Johan Persson.
Moving Between Cool Style and Broadway-Flash Pizazz
Frederick Earl Mosley’s Saddle Up, danced by Alvin Ailey American Dance Theatre. Photograph: Nan Melville.
Resurrecting a ‘Firebird’ and Transcending a Choreographer in a Single Bound
Maurice Béjart’s Firebird, danced by Alvin Ailey American Dance Theatre
Thanks to a Protégée, Power in Rarely Seen Balanchine
Elisabeth Holowchuk and Matthew Prescott of the Suzanne Farrell Ballet in George Balanchine’s Pithoprakta. Photograph: Linda Spillers.
Swinging Into Comedy (and Along With Sinatra)
Jeffrey Golladay, Maria Riccetto, Kristi Boone, and others In American Ballet Theatre production of Twyla Tharp’s “Baker’s Dozen”. Photograph: Andrea Mohin
Watching as Venerable Choreographers Stretch
Marcelo Gomes and Julie Kent in Antony Tudor’s The Leaves are Fading. Photograph: Andrea Mohin.
Creating Radiant Space and Polishing New Facets of a Dance Gem
Jennifer Carlynn Kronenberg and other Miam City Ballet dancers in George Balanchine’s Emeralds. Photograph: Joe Gato.
In a Star-Studded Festival, Only One Center of Gravity
Soledad Barrio and members of Noche Flamenca. Photograph: Andrea Mohin.
An Artist Turned Toward Complexity
Merce Cunningham in his dance Signals. Photograph: James Klosty.