Essays on the Performing Arts
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Then, With a Touch of Now, and a Fully Charged Prodigal Son
Damian Woetzel in the title role of George Balanchine’s ballet The Prodigal Son. Photograph: Paul Kolnik.
Four Distinct Dream Worlds, Sharing the Same Language of Classical Ballet
Darci Kistler (the Sleepwaker) and Nikolaj Hübbe (th Poet) in George Balanchine’s La Sonnambula. Photograph: Paul Kolnik.
City Ballet’s Greatest-Hit Makers Get Help From Some Old Masters
Damian Woetzel and Tiler Peck in Christopher Wheeldon’s Carousel (A Dance). Photograph: Paul Kolnik.
Lush Movement to Break Winter’s Spell
New York City Ballet in George Balanchine’s Emeralds. Photograph: Paul Kolnik.
Visions of Sugar Plums
The closing image of the New York City Ballet production of George Balanchine’s production of The Nutcracker on its 2000th performance. Photograph: Paul Kolnik.
‘Emeralds,’ ‘Rubies’ and ‘Diamonds’ Reveal Facets of a Company’s Style
Alina Cojocaru and Rupert Pennefather in the Royal Ballet’s producton of George Balanchine’s Diamonds. Photograph: Johan Persson.
Moving Between Cool Style and Broadway-Flash Pizazz
Frederick Earl Mosley’s Saddle Up, danced by Alvin Ailey American Dance Theatre. Photograph: Nan Melville.
Resurrecting a ‘Firebird’ and Transcending a Choreographer in a Single Bound
Maurice Béjart’s Firebird, danced by Alvin Ailey American Dance Theatre
Thanks to a Protégée, Power in Rarely Seen Balanchine
Elisabeth Holowchuk and Matthew Prescott of the Suzanne Farrell Ballet in George Balanchine’s Pithoprakta. Photograph: Linda Spillers.
Swinging Into Comedy (and Along With Sinatra)
Jeffrey Golladay, Maria Riccetto, Kristi Boone, and others In American Ballet Theatre production of Twyla Tharp’s “Baker’s Dozen”. Photograph: Andrea Mohin
Watching as Venerable Choreographers Stretch
Marcelo Gomes and Julie Kent in Antony Tudor’s The Leaves are Fading. Photograph: Andrea Mohin.
Creating Radiant Space and Polishing New Facets of a Dance Gem
Jennifer Carlynn Kronenberg and other Miam City Ballet dancers in George Balanchine’s Emeralds. Photograph: Joe Gato.
In a Star-Studded Festival, Only One Center of Gravity
Soledad Barrio and members of Noche Flamenca. Photograph: Andrea Mohin.
An Artist Turned Toward Complexity
Merce Cunningham in his dance Signals. Photograph: James Klosty.
Flights Across Continents, Soft Landings on the Stage
Ekaterina Kondaurova and Islom Baimuradov in Alexei Ratmansky’s Middle Duet
An Artist Turned Toward Complexity
Merce Cunningham in his “Signals”. Photograph: James Klosty.
New York Loves Them? Tough!
Maria Calegari in the original cast of Brahms/Handel, jointly choreographed for New York City Ballet by Jerome Robbins and Twyla Tharp