Essays on the Performing Arts
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Justin Peck in 2016 interview about his own 2015 “Rodeo: Four Dance Episodes”.
The male Nocturne quintet second movement of Justin Peck’s “Rodeo: Four Dance Episodes”
A New Work That’s Steeped in the Classic, but Still Individual
New York City Ballet Sean Suozzi in “In Creases,” by Justin Peck, which had its premiere at the Saratoga Performing Arts Center on Saturday; at the pianos were Elaine Chelton and Alan Moverman. Photograph: Paul Kolnik
A Company Caught in a Crucible of Challenges Rises to the Occasion
Alexei Ratmansky’s “Russian Seasons”, danced by New York City Ballet. Photograph: Julieta Cervantes.
In the Cunningham Dimension, Multiplicities in Time and Space
Brandon Collwes, left, of the Merce Cunningham Dance Company, performed on one of five stages arranged around a large space at Dia: Beacon. (A second can be seen at right.) Stephanie Berger
London Troupe and New York Visitors: Ripples in and Out of Sync
Sarah Lamb and Carlos Acosta of the Royal Ballet in Jerome Robbins’s “Afternoon of a Faun”. Photograph: Peter Mcdiarmid, Getty Images.