Essays on the Performing Arts
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So Many ‘Nutcrackers,’ So Little Time
New York City Ballet at the start of the Waltz of the Flowers. Photograph: Paul Kolnik.
London Troupe and New York Visitors: Ripples in and Out of Sync
Sarah Lamb and Carlos Acosta of the Royal Ballet in Jerome Robbins’s “Afternoon of a Faun”. Photograph: Peter Mcdiarmid, Getty Images.
A Slow, Winding Descent Through a Hallucinatory World Befogged by Opium
The Kirov corps de ballet of Shades in La Bayadère at the Kennedy Center, Washington. Photograph: Linda Spillers.
‘Emeralds,’ ‘Rubies’ and ‘Diamonds’ Reveal Facets of a Company’s Style
Alina Cojocaru and Rupert Pennefather in the Royal Ballet’s producton of George Balanchine’s Diamonds. Photograph: Johan Persson.
The Dance of the Final Bow
Darcey Bussell as Manon (Kenneth MacMillan). Photograph: Johan Persson.
