Essays on the Performing Arts
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Justin Peck in 2016 interview about his own 2015 “Rodeo: Four Dance Episodes”.
The male Nocturne quintet second movement of Justin Peck’s “Rodeo: Four Dance Episodes”
What Audiences Haven’t Seen Before
Gennadi Nedvigin, Joan Boada and Jaime Garcia Castilla in Yuri Possokhov's "Fusion." Photograph: Erik Tomasson
Riding the Emotions of a Ratmansky Ballet
Wendy Whelan and Benjamin Millepied in the world premiere of Concerto DSCH. Photo: Paul Kolnik.
Steps That Outshine Big City’s Bright Lights
Ashley Bouder and Jonathan Stafford in George Balanchine’s “Tschaikovsky Piano Concerto no 2”. Photograph: Paul Kolnik.
Romeos and Juliets: Young, Impetuous, ‘for Real’
Seth Orza and Kathryn Morgan; middle, Sean Suozzi and Tiler Peck; and bottom, Allen Peiffer and Erica Pereira in the title roles of Peter Martins’s “Romeo + Juliet”. Photographs: Paul Kolnik.
Those Star-Crossed Lovers With Sun-Splashed Colors
Sterling Hyltin and Robert Fairchild in the title roles of Peter Martins’s “Romeo and Juliet”. Photograph: Paul Kolnik.
The Many Lives of a Dancer, Explored Upon the Stage
Kyra Nichols in George Balanchine’s “Mozartiana”
Photograph: Paul Kolnik
Ballet After Balanchine: 3 Choreographers Lead the Way
Sterling Hyltin, front center, performing "Odessa" on May 4 with fellow members of the New York City Ballet: From left, Joaquin De Luz, Amar Ramasar and Taylor Stanley. Photograph: Andrea Mohin.
Celebrating Old Times With New: A Premiere
New York City Ballet in “Everywhere We Go” at the David H. Koch Theater. Photograph: Andrea Mohin
The Shock Of the Old Repertory
"Firebird" with Jonathan Stafford and Teresa Reichlen. Photograph: Julieta Cervantes
A New Work That’s Steeped in the Classic, but Still Individual
New York City Ballet Sean Suozzi in “In Creases,” by Justin Peck, which had its premiere at the Saratoga Performing Arts Center on Saturday; at the pianos were Elaine Chelton and Alan Moverman. Photograph: Paul Kolnik
A Company Caught in a Crucible of Challenges Rises to the Occasion
Alexei Ratmansky’s “Russian Seasons”, danced by New York City Ballet. Photograph: Julieta Cervantes.
Luminaries and Hopefuls Join to Ensure Choreography’s Future
Justin Peck used members of the School of American Ballet for his “Tales of a Chinese Zodiac,” set to music by Sufjan Stevens, on Saturday at the New York Choreographic Institute’s presentation. Photograph: Julieta Cervantes
Master Builders of Ballet’s Future
Jerome Robbins rehearsing “The Concert” in 1956 with New York City Ballet. New York City Ballet Archives.
A Godlike Dancer’s Company Farewell Keeps Adventures Rolling to the End
Nikolaj Hübbe taking applause after his farewell performance with New York City Ballet. Photograph: Paul Kolnik.
A Program in Four Parts, With One a Farewell
Giovanni Villalobos and Sterling Hyltin in Christopher Wheeldon’s Rococo Variations. Photograph: Paul Kolnik.
Bound for New Life, Set to Music of the Old World
Maria Kowroski and Tyler Angle in Mauro Bigonzetti’s Oltremare. Photograph: Paul Kolnik.
Then, With a Touch of Now, and a Fully Charged Prodigal Son
Damian Woetzel in the title role of George Balanchine’s ballet The Prodigal Son. Photograph: Paul Kolnik.
City Ballet’s Greatest-Hit Makers Get Help From Some Old Masters
Damian Woetzel and Tiler Peck in Christopher Wheeldon’s Carousel (A Dance). Photograph: Paul Kolnik.