Essays on the Performing Arts
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Steps That Outshine Big City’s Bright Lights
Ashley Bouder and Jonathan Stafford in George Balanchine’s “Tschaikovsky Piano Concerto no 2”. Photograph: Paul Kolnik.
Lively Currents From Balanchine’s River of Ballets
Rachel Rutherford and Wendy Whelan in George Balanchine’s Concerto Barocco. Photograph: Paul Kolnik.
Two Old Masters, Partnered Perhaps With New Ones
Darci Kistler as the Sleepwalker with Nikolaj Hübbe as the Poet in Balanchine’s “La Sonnambula”. Photograph: Paul Kolnik.
Turning a Danish Prism of Joy
Thomas Lund in August Bournonville’s “Flower Festival at Genzano” pas de deux. @Dansamanie.
Those Star-Crossed Lovers With Sun-Splashed Colors
Sterling Hyltin and Robert Fairchild in the title roles of Peter Martins’s “Romeo and Juliet”. Photograph: Paul Kolnik.
In Three Visions of Balanchine, Charm, Romance and Drama
George Balanchine’s “Walpurgisnacht Ballet”
Off to London, but Not Packing Their Best
New York City Ballet in the opening image of George Balanchine’s Serenade. Photograph: Paul Kolnik.
A Godlike Dancer’s Company Farewell Keeps Adventures Rolling to the End
Nikolaj Hübbe taking applause after his farewell performance with New York City Ballet. Photograph: Paul Kolnik.
City Ballet’s Greatest-Hit Makers Get Help From Some Old Masters
Damian Woetzel and Tiler Peck in Christopher Wheeldon’s Carousel (A Dance). Photograph: Paul Kolnik.
Legends of Life and Art, Stravinsky and Balanchine
Yvonne Borree, Ashley Bouder, Megan Fairchild, with Nikolaj Hübbe as the muses and Apollo in George Balanchine’s Apollo. Photograph: Paul Kolnik.