Essays on the Performing Arts
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Showcasing New Ballets and Female Choreographers in Boston
Dancers from Boston Ballet in Helen Pickett's "Eventide," a dance for five male-female couples, set to music by Michael Nyman, Jan Garbarek and Philip Glass. Photographs by Michael Lutch.
Complicated Heroines, Puzzling Partnering
Damian Smith and members of the San Francisco Ballet performing Margaret Jenkins's "Thread" at the New Works Festival. Photograph: Erik Tomasson.
What Audiences Haven’t Seen Before
Gennadi Nedvigin, Joan Boada and Jaime Garcia Castilla in Yuri Possokhov's "Fusion." Photograph: Erik Tomasson
On the West Coast, a Distinguished Company Avoids Showing Any Gray
Members of San Francisco Ballet in Mark Morris’s Drink to Me Only. Photograph: Erik Tomasson.
Riding the Emotions of a Ratmansky Ballet
Wendy Whelan and Benjamin Millepied in the world premiere of Concerto DSCH. Photo: Paul Kolnik.
Lively Currents From Balanchine’s River of Ballets
Rachel Rutherford and Wendy Whelan in George Balanchine’s Concerto Barocco. Photograph: Paul Kolnik.
Two Old Masters, Partnered Perhaps With New Ones
Darci Kistler as the Sleepwalker with Nikolaj Hübbe as the Poet in Balanchine’s “La Sonnambula”. Photograph: Paul Kolnik.
The Unstuffy Gala: City Ballet Delivers Youth and Style
A scene from Mr. Peck's "Pulcinella Variations." Photograph: Andrea Mohin.
Ballet After Balanchine: 3 Choreographers Lead the Way
Sterling Hyltin, front center, performing "Odessa" on May 4 with fellow members of the New York City Ballet: From left, Joaquin De Luz, Amar Ramasar and Taylor Stanley. Photograph: Andrea Mohin.
Justin Peck’s ‘Decalogue’ Pushes Into New Ballet Forms
Gonzalo Garcia, center, with, from left, Sara Mearns, Kristen Segin and Claire Kretzschmar of New York City Ballet performing in "The Decalogue" on Friday at the David H. Koch Theater of Lincoln Center. Andrea Mohin.
New York City Ballet’s Very 21st-Century Steps
Sara Mearns in "The Shimmering Asphalt" by Pontus Lidberg Thursday evening at the David H. Koch Theater. Photographer:. Andrea Mohin.
It Was Justin Peck’s First ‘Rodeo,’ and He Turned It on Its Head
Justin Peck, resident choreographer with New York City Ballet. His latest work, "Rodeo: Four Dance Episodes," gives new life to music by Aaron Copland. Photograph: Alex Cretey-Systermans.
‘Scherzo Fantastique’ Brims With Liberated Energy
From left, Taylor Stanley, Anthony Huxley and Brittany Pollack in Justin Peck's "Scherzo Fantastique," his third work for the New York City Ballet's 2015-16 season. Photograph: Paul Kolnik.
A World Premiere of Pure Dance to a Familiar Score
Amar Ramasar and Sara Mearns in the world premiere of Justin Peck’s “Rodeo: Four Dance Episodes”. Photograph: Andrea Mohin.
The Art Gallery as Spinning Montage
Sara Mearns and Amar Ramasar of New York City Ballet in the world premiere of Alexei Ratmansky's "Pictures at an Exhibition" at the David H. Koch Theater. Photograph: Andrea Mohin.
Celebrating Old Times With New: A Premiere
New York City Ballet in “Everywhere We Go” at the David H. Koch Theater. Photograph: Andrea Mohin
Kaleidoscope of Destiny’s Patterns
New York City Ballet Company members in "Year of the Rabbit," at David H. Koch Theater. Photograph: Paula Lobo.
The Shock Of the Old Repertory
"Firebird" with Jonathan Stafford and Teresa Reichlen. Photograph: Julieta Cervantes