Essays on the Performing Arts
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Riding the Emotions of a Ratmansky Ballet
Wendy Whelan and Benjamin Millepied in the world premiere of Concerto DSCH. Photo: Paul Kolnik.
Plenty of Flash. But Drama? And Poetry?
Herman Cornejo as Puck in Frederick Ashton’s “The Dream”, American Ballet Theatre. Photograph: Andrea Mohin.
Veteran’s ‘Giselle,’ Full of Spontaneity, and No Apologies
Nina Ananiashvili as Giselle in the State Ballet of Georgia production of Giselle. Photograph: Christopher Cappozziello.
Shakespeare’s Doomed Lovers, Acting and Dancing
Angel Corella and Diana Vishneva as Romeo and Juliet in American Ballet Theatre’s production of Kenneth MacMillan’s ballet. Photograph: Erin Baiano.
Save the Last Dance for Covent Garden
Darcey Bussell taking curtain calls after her June 2007 farewell performance at the Royal Opera House, Covent Garden. Photograph: Johan Persson.
Review: Miami City Ballet in ‘Heatscape,’ a Fleeting Chase of Romance
Miami City Ballet dancers in "Heatscape," dressed in informal sleeveless white by Reid Bartelme and Harriet Jung. Photograph: Daniel Azoulay
Then, With a Touch of Now, and a Fully Charged Prodigal Son
Damian Woetzel in the title role of George Balanchine’s ballet The Prodigal Son. Photograph: Paul Kolnik.
The Dance of the Final Bow
Darcey Bussell as Manon (Kenneth MacMillan). Photograph: Johan Persson.