Essays on the Performing Arts
Categories
- Dance History 139
- Essays on Dance 136
- Choreographers 95
- Performers 86
- Women’s History in Dance 80
- Most Popular 41
- Frederick Ashton 39
- Black History in Dance 35
- Merce Cunningham 27
- George Balanchine 25
- Drama 19
- Margot Fonteyn 17
- Researching and Reconstructing the Repertory 13
- Spoken Drama 10
- Dance and The Visual Arts 9
- Ballet Classics of the Nineteenth Century 8
- Classical Music 7
- Actors 6
- Opera 5
- Giselle 4
- Alastair Macaulay 3
- Baroque dance 3
- Harold Pinter 3
- Music 3
- Pre-Romantic Ballet 3
- India and Indian dance forms 2
- Opera reviews 2
- Reviews 2
- The Sleeping Beauty 2
- Travelogues 2
- Film 1
- Maria Callas 1
Publish date
- October 2024 2
- September 2024 3
- August 2024 24
- July 2024 30
- June 2024 2
- April 2024 3
- March 2024 4
- February 2024 5
- January 2024 3
- December 2023 1
- August 2023 5
- July 2023 4
- June 2023 3
- May 2023 6
- April 2023 3
- March 2023 2
- February 2023 1
- January 2023 1
- December 2022 2
- November 2022 1
- October 2022 7
- September 2022 3
- August 2022 3
- July 2022 3
- June 2022 2
- May 2022 2
- April 2022 4
- March 2022 3
- February 2022 13
- January 2022 3
- December 2021 6
- November 2021 5
- October 2021 6
- September 2021 9
- August 2021 12
- July 2021 3
- June 2021 3
- May 2021 3
- April 2021 14
- March 2021 30
- February 2021 38
- October 2020 1
- June 2020 1
- January 2020 1
- October 2019 1
- July 2019 1
- May 2019 2
- October 2017 1
- September 2017 1
- May 2017 2
- April 2017 1
- January 2017 1
- August 2016 1
- July 2016 1
- February 2016 1
- March 2015 1
- February 2015 1
- October 2014 2
- May 2014 1
- January 2014 1
- January 2013 2
- October 2012 1
- July 2012 1
- May 2012 1
- March 2011 1
- October 2010 1
- May 2009 1
- December 2008 1
- November 2008 1
- May 2008 3
- April 2008 8
- March 2008 8
- February 2008 6
- January 2008 6
- December 2007 4
- November 2007 4
- October 2007 3
- September 2007 6
- August 2007 1
- June 2007 2
- May 2007 3
- April 2007 4
- September 2006 1
- April 2006 1
- April 2005 1
- April 2004 1
- January 2002 1
- October 1996 1
Justin Peck in 2016 interview about his own 2015 “Rodeo: Four Dance Episodes”.
The male Nocturne quintet second movement of Justin Peck’s “Rodeo: Four Dance Episodes”
The Unstuffy Gala: City Ballet Delivers Youth and Style
A scene from Mr. Peck's "Pulcinella Variations." Photograph: Andrea Mohin.
Ballet After Balanchine: 3 Choreographers Lead the Way
Sterling Hyltin, front center, performing "Odessa" on May 4 with fellow members of the New York City Ballet: From left, Joaquin De Luz, Amar Ramasar and Taylor Stanley. Photograph: Andrea Mohin.
Justin Peck’s ‘Decalogue’ Pushes Into New Ballet Forms
Gonzalo Garcia, center, with, from left, Sara Mearns, Kristen Segin and Claire Kretzschmar of New York City Ballet performing in "The Decalogue" on Friday at the David H. Koch Theater of Lincoln Center. Andrea Mohin.
New York City Ballet’s Very 21st-Century Steps
Sara Mearns in "The Shimmering Asphalt" by Pontus Lidberg Thursday evening at the David H. Koch Theater. Photographer:. Andrea Mohin.
It Was Justin Peck’s First ‘Rodeo,’ and He Turned It on Its Head
Justin Peck, resident choreographer with New York City Ballet. His latest work, "Rodeo: Four Dance Episodes," gives new life to music by Aaron Copland. Photograph: Alex Cretey-Systermans.
‘Scherzo Fantastique’ Brims With Liberated Energy
From left, Taylor Stanley, Anthony Huxley and Brittany Pollack in Justin Peck's "Scherzo Fantastique," his third work for the New York City Ballet's 2015-16 season. Photograph: Paul Kolnik.
‘The Most Incredible Thing’ Brings Hans Christian Andersen’s Fairy Tale to Life
Justin Peck’s “The Most Incredible Thing,” performed by New York City Ballet at Lincoln Center, sets a love story to the passage of time. Photograph: Andrea Mohin
Review: Miami City Ballet in ‘Heatscape,’ a Fleeting Chase of Romance
Miami City Ballet dancers in "Heatscape," dressed in informal sleeveless white by Reid Bartelme and Harriet Jung. Photograph: Daniel Azoulay
A World Premiere of Pure Dance to a Familiar Score
Amar Ramasar and Sara Mearns in the world premiere of Justin Peck’s “Rodeo: Four Dance Episodes”. Photograph: Andrea Mohin.
The Art Gallery as Spinning Montage
Sara Mearns and Amar Ramasar of New York City Ballet in the world premiere of Alexei Ratmansky's "Pictures at an Exhibition" at the David H. Koch Theater. Photograph: Andrea Mohin.
A Return Back East to Make a Debut
Rachelle Rafailedes and Anthony Bryant of L.A. Dance Project in "Murder Ballades." Photograph: Paula Lobo.
Celebrating Old Times With New: A Premiere
New York City Ballet in “Everywhere We Go” at the David H. Koch Theater. Photograph: Andrea Mohin
Keeping Their Eyes on the Score
Miami City Ballet dancers performing in Alexei Ratmansky's "Symphonic Dances," set to music by Rachmaninoff. Photograph: Daniel Azoulay
Kaleidoscope of Destiny’s Patterns
New York City Ballet Company members in "Year of the Rabbit," at David H. Koch Theater. Photograph: Paula Lobo.
The Shock Of the Old Repertory
"Firebird" with Jonathan Stafford and Teresa Reichlen. Photograph: Julieta Cervantes
A New Work That’s Steeped in the Classic, but Still Individual
New York City Ballet Sean Suozzi in “In Creases,” by Justin Peck, which had its premiere at the Saratoga Performing Arts Center on Saturday; at the pianos were Elaine Chelton and Alan Moverman. Photograph: Paul Kolnik
A Company Caught in a Crucible of Challenges Rises to the Occasion
Alexei Ratmansky’s “Russian Seasons”, danced by New York City Ballet. Photograph: Julieta Cervantes.
Luminaries and Hopefuls Join to Ensure Choreography’s Future
Justin Peck used members of the School of American Ballet for his “Tales of a Chinese Zodiac,” set to music by Sufjan Stevens, on Saturday at the New York Choreographic Institute’s presentation. Photograph: Julieta Cervantes