Essays on the Performing Arts
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Justin Peck in 2016 interview about his own 2015 “Rodeo: Four Dance Episodes”.
The male Nocturne quintet second movement of Justin Peck’s “Rodeo: Four Dance Episodes”
Looking Behind, and a Little Bit Ahead
David Hallberg and Gillian Murphy in George Balanchine’s Ballo della Regina, with American Ballet Theatre. Photograph: Andrea Mohin.
An Ephemeral Portrait of an Artist in a Hall of Mirrors
Benjamin Millepied’s From Here On Out, danced by American Ballet Theatre. Photograph: Andrea Mohin.
Two Old Masters, Partnered Perhaps With New Ones
Darci Kistler as the Sleepwalker with Nikolaj Hübbe as the Poet in Balanchine’s “La Sonnambula”. Photograph: Paul Kolnik.
One Composer, Two Choreographers, Three Geniuses
Wendy Whelan in George Balanchine’s “Mozartiana”. Photograph: Paul Kolnik
New York City Ballet’s Very 21st-Century Steps
Sara Mearns in "The Shimmering Asphalt" by Pontus Lidberg Thursday evening at the David H. Koch Theater. Photographer:. Andrea Mohin.
Review: Miami City Ballet in ‘Heatscape,’ a Fleeting Chase of Romance
Miami City Ballet dancers in "Heatscape," dressed in informal sleeveless white by Reid Bartelme and Harriet Jung. Photograph: Daniel Azoulay
The Art Gallery as Spinning Montage
Sara Mearns and Amar Ramasar of New York City Ballet in the world premiere of Alexei Ratmansky's "Pictures at an Exhibition" at the David H. Koch Theater. Photograph: Andrea Mohin.
Kaleidoscope of Destiny’s Patterns
New York City Ballet Company members in "Year of the Rabbit," at David H. Koch Theater. Photograph: Paula Lobo.
A New Work That’s Steeped in the Classic, but Still Individual
New York City Ballet Sean Suozzi in “In Creases,” by Justin Peck, which had its premiere at the Saratoga Performing Arts Center on Saturday; at the pianos were Elaine Chelton and Alan Moverman. Photograph: Paul Kolnik
A Company Caught in a Crucible of Challenges Rises to the Occasion
Alexei Ratmansky’s “Russian Seasons”, danced by New York City Ballet. Photograph: Julieta Cervantes.
Master Builders of Ballet’s Future
Jerome Robbins rehearsing “The Concert” in 1956 with New York City Ballet. New York City Ballet Archives.
A Program in Four Parts, With One a Farewell
Giovanni Villalobos and Sterling Hyltin in Christopher Wheeldon’s Rococo Variations. Photograph: Paul Kolnik.
Then, With a Touch of Now, and a Fully Charged Prodigal Son
Damian Woetzel in the title role of George Balanchine’s ballet The Prodigal Son. Photograph: Paul Kolnik.
City Ballet’s Greatest-Hit Makers Get Help From Some Old Masters
Damian Woetzel and Tiler Peck in Christopher Wheeldon’s Carousel (A Dance). Photograph: Paul Kolnik.