Essays on the Performing Arts
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Riding the Emotions of a Ratmansky Ballet
Wendy Whelan and Benjamin Millepied in the world premiere of Concerto DSCH. Photo: Paul Kolnik.
Steps That Outshine Big City’s Bright Lights
Ashley Bouder and Jonathan Stafford in George Balanchine’s “Tschaikovsky Piano Concerto no 2”. Photograph: Paul Kolnik.
Lively Currents From Balanchine’s River of Ballets
Rachel Rutherford and Wendy Whelan in George Balanchine’s Concerto Barocco. Photograph: Paul Kolnik.
From Mr. Masterpiece, International Odds and Ends
Maria Kowroski and Albert Evans in George Balanchine’s “Bugaku”. Photograph: Paul Kolnik.
The Art Gallery as Spinning Montage
Sara Mearns and Amar Ramasar of New York City Ballet in the world premiere of Alexei Ratmansky's "Pictures at an Exhibition" at the David H. Koch Theater. Photograph: Andrea Mohin.
Kaleidoscope of Destiny’s Patterns
New York City Ballet Company members in "Year of the Rabbit," at David H. Koch Theater. Photograph: Paula Lobo.
A Company Caught in a Crucible of Challenges Rises to the Occasion
Alexei Ratmansky’s “Russian Seasons”, danced by New York City Ballet. Photograph: Julieta Cervantes.
Luminaries and Hopefuls Join to Ensure Choreography’s Future
Justin Peck used members of the School of American Ballet for his “Tales of a Chinese Zodiac,” set to music by Sufjan Stevens, on Saturday at the New York Choreographic Institute’s presentation. Photograph: Julieta Cervantes
Off to London, but Not Packing Their Best
New York City Ballet in the opening image of George Balanchine’s Serenade. Photograph: Paul Kolnik.
Love’s Labors Tossed and Turned in a Survey of the Heart’s Hard Edges
Sara Mearns and Charles Askegard in George Balanchine’s “Robert Schumann’s Davidsbündlertänze”. Photograph: Paul Kolnik
Then, With a Touch of Now, and a Fully Charged Prodigal Son
Damian Woetzel in the title role of George Balanchine’s ballet The Prodigal Son. Photograph: Paul Kolnik.
City Ballet’s Greatest-Hit Makers Get Help From Some Old Masters
Damian Woetzel and Tiler Peck in Christopher Wheeldon’s Carousel (A Dance). Photograph: Paul Kolnik.
Lush Movement to Break Winter’s Spell
New York City Ballet in George Balanchine’s Emeralds. Photograph: Paul Kolnik.
Visions of Sugar Plums
The closing image of the New York City Ballet production of George Balanchine’s production of The Nutcracker on its 2000th performance. Photograph: Paul Kolnik.
Legends of Life and Art, Stravinsky and Balanchine
Yvonne Borree, Ashley Bouder, Megan Fairchild, with Nikolaj Hübbe as the muses and Apollo in George Balanchine’s Apollo. Photograph: Paul Kolnik.